Praise for The Mendacity of Hope
“Roger D. Hodge brilliantly and devastatingly dissects how demoncracy has gone on sale in America.”
—Bill Moyers
“This is what I’ve been waiting for—a profound and hard-hitting critique of the Obama administration from the left! The Mendacity of Hope should help wake up all those Obama voters who’ve been napping while the wars escalate, the recession deepens, and the environment goes straight to hell.”
—Barbara Ehrenreich
“Ready to wake up from the Obama dream yet? If so, this thrillingly scathing and relentlessly truthful cri de coeur is your strong cup of coffee. Hodge skewers the sloppy intellectual culture that willed this political chimera into being, while expertly unmasking the corporate machine that is the real Brand Obama. Drink up.”
—Naomi Klein
More praise for The Mendacity of Hope …
Borderworld
My long essay on the Texas-Mexico border is in the January issue of Popular Science. Photo by J. Henry Fair.
Ten Guns, Ten Horses, Ten Wives
My essay on Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanche Tribe, by S.C. Gwynne, appears in the December 15 issue of the London Review of Books.
Mt. Cristo Rey
At the pilgrimage of Mt. Cristo Rey, west of El Paso. She walked for God, without shoes, hoping for a favor.
A friend writes …
The Mendacity of Hope, spotted by my friend Ginger Strand at the Occupy Wall Street library in lower Manhattan.
Objective Correlative
- Juno, Texas (July 30, 2011).
What remains of the South Divide pasture, three months after the Deaton Cole fire, near Juno, Texas. No signs of life, except the mesquite, which would flourish even in hell.
Less Than Zero
My review of Intern Nation, by Ross Perlin, is up at Bookforum. It will be printed in the Summer issue of the magazine.
The photographs of J. Henry Fair
Here’s a little catalogue essay I wrote a few years ago for Henry’s Industrial Scars show.
J Henry Fair flies high above our fallen world, over aeration ponds of paper mills, which sprout like mushrooms near Baton Rouge, and luminous bauxite waste streams near Houston. Bulldozers spread their offerings of petroleum coke before him in Texas City, and roseate spoonbills glide low over radioactive phosphate slurry in Florida. These are the primal scenes of our consumer society; here is where we give birth to the American way of life. It will never again be so beautiful.
Coal, petroleum, fertilizer, paper pulp, and sugar are among the foundational inputs of our high-input civilization; without them most of what passes for life among us can scarcely be conceived. The direct financial costs of extracting these substances are considerable. No less so are the indirect ecological, social, and individual physical costs.
Acid rain, smog, bronchitis, asthma, cancer, and global warming are among the slightly more familiar tolls we must pay for turning on light bulbs and opening laptops and listening to Wilco on our iPods. Others are perhaps less familiar. But J. Henry Fair can tell you that coal production is a significant source of radioactive pollution and that arsenic, cadmium, chromium, lead, and selenium all show up in coal waste, which inevitably finds its way into drinking water. He can cite statistics on emissions. But most of all he simply bears witness to the tragic beauty of waste.
Coal gives us more than electricity. Tupperware, detergent bottles, milk cartons, fuel tanks, sandwich bags, and polymers found in ropes, banknotes, and polypropylene long underwear all originate in a relatively soft seam of combustible sedimentary carbon rock formed by the remains of ancient swamps.
Like coal, the phosphate fertilizers that we use to grow tomatoes and corn and sugar cane also come to us via large open pit mines. Phosphate rock yields itself to enormous dragline excavators. Add water and make a slurry; process thoroughly and remove the uranium and other impurities. Send the wetrock on to the plant and dump the waste into a phosphogypsum stack and let it settle. Try not to breath the florine gas.
The waste pits and effluents that enable our daily wants are usually hidden from view. They lie just off the access road behind the railyard or sixteen miles down county road 67. J Henry Fair seeks out these visions of excess and captures them in all their Satanic beauty. He brings them home and offers them up for our contemplation. They belong to us. We made them.
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